Thanks for your comments on the others.
Strange, I find that those inverts and locked claw shots aren't too bad to get. I think its a case of "Pattern Recognition", I seem to be able to spot when its about to happen now.
The tight fit in the frame with the Vulture was how I saw the bird in real life too, they don't half look big when coming straight at you!
Anyway, as threatened here are a few more.
The first is the real tight crop from the Vulture shot which I had thought to put up first time. The second I think is my favourite shot of the day, with the Fish Eagle stalling as it is about to take a "Chicken Nugget" on the wing and the final shot is my first one of the Snowy Owl in flight. I found it very hard to get the exposure right under the conditions and even after a fair bit of post-processing I'm not happy with the contrast between shadow side and sun side.
I tried various ways of getting the exposure right "on the wing" as it were and ended up shooting in manual exposure using the grass as my "Grey Card". I suspect it was just a function of the low raking and high contrast light but would welcome any ideas on how else to cope with this (shooting from "Photographers' Corner in the display area)
Strange, I find that those inverts and locked claw shots aren't too bad to get. I think its a case of "Pattern Recognition", I seem to be able to spot when its about to happen now.
The tight fit in the frame with the Vulture was how I saw the bird in real life too, they don't half look big when coming straight at you!
Anyway, as threatened here are a few more.
The first is the real tight crop from the Vulture shot which I had thought to put up first time. The second I think is my favourite shot of the day, with the Fish Eagle stalling as it is about to take a "Chicken Nugget" on the wing and the final shot is my first one of the Snowy Owl in flight. I found it very hard to get the exposure right under the conditions and even after a fair bit of post-processing I'm not happy with the contrast between shadow side and sun side.
I tried various ways of getting the exposure right "on the wing" as it were and ended up shooting in manual exposure using the grass as my "Grey Card". I suspect it was just a function of the low raking and high contrast light but would welcome any ideas on how else to cope with this (shooting from "Photographers' Corner in the display area)
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